Aneta Jarosz James Joyce’s “Dubliners”: Dimension of Paralysis. (Promotor: dr Anna Kędzierska-Kardela)

Ewa Muir Juvenile Protagonists In Selected Stories by Frank O’Connor and Elizabeth Bowen.(Promotor: dr Anna Kędzierska-Kardela)

Dorota Mazur The Suspense of Existence: Thriller and Detective Conventions in The Selected Works of John Fowles. (Promotor: prof. JacekWiśniewski)

Joanna Sobierajska Echoes of the Summer of Love. The Image of the Hippies as Presented in the Works of Selected Writers. (Promotor: prof. Jacek Wiśniewski)

Magdalena Powierża The Function of the Setting in Angela Carter’s Fiction. (Promotor: prof. Jacek Wiśniewski)

Justyna Płachta Female Characters in Wilkie Collins’s Novels (“Woman in White” and “Armadale”). (Promotor: prof. Grażyna Bystydzieńska)

Karolina Berezowska “Midnight’s Children” and “The Mahabharata”. The Impact of Ancient Indian Epic on Salman Rushdie’s Novel. (Promotor: prof. Jerzy Jarniewicz)

Urszula Puciłowska The Quest for the Self: Symbolism of Light and Darkness in the Two Selected Novels by D.H. Lawrance “The Rainbow” and “Women in Love”. (Promotor: dr Anna Cetera)

Katarzyna Melon Correspondences between Literature and Visual arts: John Fowles’s “The French Lieutenant’s Woman”, “The Ebony Tower” and Angela Carter’s “Nights at the Circus”.(Promotor: prof. Jacek Wiśniewski)

Anna Pyzara Angela Carter Revives Shakespearean Drama: Shakespeare’s Motifs of Cross-dressing and the Use of Songs in Angela Carter’s Fiction. (Promotor: prof. Jacek Wiśniewski)

Sabina Czyżewska Post-colonial Literature: the Question of Women and Language in Contemporary India as Presented in the Works of Arundhati Roy, Anita Desai and Mira Nair.(Promotor: prof. Jacek Wiśniewski)

Paulina Pindor The (Im)perfection of the Motif of Gender Transgression in “The Passion of New Eve” by Angela Carter and “Art and Lies” by Jeanette Winterson. (Promotor: prof. Andrzej Weseliński)

Magdalena Kamińska A Comparison of Married Couples in “Juno and the Paycock” by Sean O’Casey and “Chicken Soup with Barley” by Arnold Wesker. (Promotor: prof. Jadwiga Uchman)

Elżbieta Soszyńska Money and Moral Choices in Selected Plays by G.B. Shaw. (Promotor: prof. Jadwiga Uchman)

MałgorzataKowalskaBetrayal in Selected Plays of Harold Pinter: a Study of “Collection”, “The Lover”, “Old Times” and “Betrayal”. (Promotor: prof. Jadwiga Uchman)

Magdalena Burs Ambiguity of Characters in “Look Back in Anger” by John Osborne. (Promotor: prof. Jadwiga Uchman)

AdeniyiIgeForm and Content in George Bernard Shaw’s “Saint Joan” and T.S. Eliot’s “Murder in the Cathedral”.(Promotor: prof. Jadwiga Uchman)

Warszawa 2006

Patrycja Austin Crossing Frontiers: The Migrants' World in Salman Rushdie's "The Moor's Last Sigh" and "The Ground Beneath Her Feet" (promotor: prof. dr hab. Jacek Wiśniewski)

Renata Hyrycz "To dream is to have power" - Cinematic Inspirations in "The Moor's Last Sigh" by Salman Rushdie (promotor: prof. dr hab. JacekWiśniewski)

Agnieszka Gerwatowska "Night at the Circus" by Angela Carter and "The Passion" by Jeanette Winterson - "Demythologising" on the Level of Characters, Setting and Narration (promotor: prof. dr hab. JacekWiśniewski)

Maria Hertel The Aestheticism of the late 19th c. Prose. The Influense of Style and Stylisation upon Fin-de-Sieclce Conscionsuess (promotor dr Tadeusz Pióro)

Ewa Hinz A psychoanalytical study of two postmodernist novels "The White Hotel"and "Atonement" (promotor: prof. dr hab.  Andrzej Weseliński)

Katarzyna KrawczykLiterary voyeur and his gaze. Power relations between the looker and the object looked at in the chosen fiction of John Fowles,Louise Welsh, Iris Murdoch and Angela Carter (promotor: prof. dr hab. Jacek Wiśniewski)

Zofia Janowska Reinterpretations of the Story of Noah's Ark. HistoriographicMetafiction in the novels of Barnes, Winterson and Roberts (promotor: prof. dr hab. JacekWiśniewski)

Kaja Marczewska The Uses of Fairy Tale - Fairy Tale Tradition in Postmodern Fiction on the Example of Angela Carter's "The Bloody Chamber",

Margaret Atwood's "Bluebeard's Egg" and Donald Bartheleme's "Bluebeard" (promotor: prof. dr hab. Jacek Wiśniewski)

Ewa Czajkowska Symbolic imagery, metaphor and myth in the selected novels by Iris Murdoch (promotor: prof. dr hab.  Andrzej Weseliński)

Anna Koralewska Female Mythologies in John Fowles's Novels: "The Collector","TheMagus"and "The French Lieutenant's Woman" (promotor: prof. UW dr hab.  Jerzy Jarniewicz)

Agnieszka Okoń The use of parody in the presentation of history and historiography in "A History of the World in 10 1/2 Chapters" by Julian Barnes (promotor: dr Maria Błaszkiewicz)

Sylwia Bućko The Presentation of Dragons in the Works of J. R. R. Tolkien, T. Pratchett and J. K. Rowlings (promotor: drBartłomiejBłaszkiewicz)

Wojciech Roguszczak The Motif of Gods and Religious Belief in the Fiction of Neil Gaiman and Terry Pratchett (promotor: dr Bartłomiej Błaszkiewicz)

Łukasz Uziębło The Postmodern Condition and the Contemporary Problem of Historical Episteme in "A History of the World in 10 1/2 Chapters" by Julian Barnes (promotor: dr Bartłomiej Błaszkiewicz)

Magdalena Słysz Love, loss and loneliness in Katherine Mansfield's short stories (prof. UW dr hab.  Jerzy Jarniewicz)

Krzysztof Wiśniewski The Concept of Time Travel and Parallel Universes in Contemporary British Fiction (promotor: dr Bartłomiej Błaszkiewicz)

Joanna Jodłowska Various critical responses to Aldous Huxley's Brave New World (promotor: prof. dr hab.  Andrzej Weseliński)

Zofia Dzierżawska History and Memory in Contemporary Irish and Spanish Fiction. A Case Study of Seamus Deane's "Reading in the Dark" and Juan Marse's "The Fallen" (promotor: prof. UW dr hab.  Jerzy Jarniewicz)

Jakub Bartoszewicz The Intertexts of Peter Ackroyd: Historiographic Metafiction as a Means of Preserving Collective Cultural Memory (promotor: prof. dr hab. Jacek Wiśniewski)

Mariusz Gild Dwarves in the novels of Terry Pratchett and J. R. R. Tolkien (promotor: dr  hab. Bartłomiej Błaszkiewicz)

Maciej Reszotnik (The Concept of the Fairyland in the works of Terry Pratchett, Neil Gaiman and Susanna Clarke promotor: dr  hab. Bartłomiej Błaszkiewicz)

Anita Sierawska The Theme of Love in the Prose of Neil Gaiman (promotor: dr  hab. Bartłomiej Błaszkiewicz)

Ewa Stawna Elements of the Gothic in the novels of Neil Gaiman and Terry Pratchett (promotor: dr  hab. Bartłomiej Błaszkiewicz)

Wojciech Krużyński The Motif of Isolation in Joseph Conrad’s „Heart of Darkness” and Lord Jim (promotor: dr Maria Baszkiewicz)

Remigiusz Zawadzki Critique of Social and Cultural Trends in the Dystopian Fiction of the Twentieth Century (promotor: dr Maria Błaszkiewicz)

Michał Podziomek Shapeshifters: the Definition, Genesis and Functions of the Physically Dynamic Character. A Theoretical Study Illustrated by Examples of Ancient, Medieval and Modern Texts (promotor: prof. UW dr hab. Barbara Kowalik)

Mikołaj Malanowski Rites of Passage in the Poetry of Seamus Heaney (prof. UW dr hab.  Jerzy Jarniewicz)

Daria Rybicka Terry Pratchett’s Idea of ‘Anthropomorphic Personification’ in Selected Discworld Novels (promotor: dr Maria Błaszkiewicz)

Marek Lewandowski Faces of evil in selected novels by Bram Stoker (Dracula, The Jewel of Seven Stars, The Lady of the Shroud, The Lair of the White Worm) (promotor: dr Maria Baszkiewicz)

Klaudyna Cwynar The spiritual path of Ursula Brangwen in The Rainbow by D. H. Lawrence (promotor: prof. dr hab. Jacek Wiśniewski)

Warszawa 2012

Michał Kopczyński Anglo-Saxon and Modern Attitudes to Monstrosity: The Portrayal of Grendel and Grendel's Mother in 'Beowulf' and its Adaptations (promotor: prof. UW dr hab. Barbara Kowalik)

Jakub Ozimkiewicz The Influence of Feminism on the Twentieth- Century Popular Fantastical Literature (promotor: prof. UW dr hab. Barbara Kowalik)

Judyta Solińska Journey through a looking glass: the motif of travelling and tourism in selected novels of Douglas Adams and Terry Pratchett.(promotor: dr  hab. Bartłomiej Błaszkiewicz)

Katarzyna Michalska The Portrayal of the Psychopath by three Twentieth Century Novelists: John Fowles, Graham Greene and Doris Lessing (promotor: dr  hab. Bartłomiej Błaszkiewicz)

Paweł Wróbel The theme of the human and post-human in British, Canadian and American cyberpunk (Philip K. Dick’s Do Androids Dream of Electric Sheep?, William Gibson’s Neuromancer and Paul J. McAuley’s Fairyland) (promotordr Maria Błaszkiewiczowa)

Kinga Jęczmińska The Concept of the Fairyland in Selected Novels by C.S. Lewis, N. Gaiman and S. Clarke (promotor: dr  hab. Bartłomiej Błaszkiewicz)

Marta Swora A Comparison of Selected Fantasy Novels and their Film Adaptations: The Chronicles of Narnia, Stardust and A Game of Thrones  (promotor: dr  hab. Bartłomiej Błaszkiewicz)

Kinga Rutka The Concept of the Fellowship in the Work of J. R. R. Tolkien, George R. R. Martin and J . Piekara (promotor: dr  hab. Bartłomiej Błaszkiewicz)

Joanna Godlewska Science and the Supernatural in Bram Stoker's Dracula (promotor: prof. dr hab Małgorzata Grzegorzewska)

Alicja Urbanik The Presentation of Madness in Contemporaty British Fantasy Novel (promotor: dr  hab. Bartłomiej Błaszkiewicz)

Karolina Cisowska The ethical, social, and psychological aspects of trans- and posthumanism in Charles Stross's Accelerando and Peter Watts's Blindsight – comparative analysis. (promotor: dr hab Maria Błaszkiewiczowa)

Magdalena Aneszko Language as strategy in selected plays by Harold Pinter (promotor: dr Klaudia Łączyńska)

Monika Borkowska The Theme of Childhood in the Prose of Neil Gaiman (promotor: prof. dr hab. Bartłomiej Błaszkiewicz)

Justyna Rosmanowska The Presentation of Vampires and Ghosts in British Fiction of the 19th Century.  (promotor: dr hab. Małgorzata Łuczyńska-Hołdys)

Dominika Dłutek-Malinowska The Presentation of Dragons in the Novels of Tom Holt. Western and Eastern Cultural Influences (promotor: prof. dr hab. Bartłomiej Błaszkiewicz)

Anna Wawra The Depiction and Discussion of Women's Bodies in Fay Weldon's Writing (promotor: prof. dr hab. Barbara Kowalik)

Aleksandra Nakoneczna-Burchart Problems of Communication and Characters in Sarah Kane's Cleansed (promotor: prof. dr hab. Barbara Kowalik)

Emilia Abram Lesbian Selves in Sarah Waters's Neo-Victorian Novels  (promotor: prof. dr hab. Barbara Kowalik)

Grzegorz Nowak Knights of the Holy Contact: The (In)Consistency of Character Design in the Two English Translations of Solaris by Stanisław Lem (promotor: prof. UW dr hab. Anna Cetera)

Warszawa 2018

Damian Sawicki Queer in the prison of Camp. Christopher Isherwood in America (promotor: prof. UW dr hab. Marek Paryż)

Maciej Włodaków The Elder Signs. An Analysis of the Polish Translations od  H.P. Lovecraft's Works (promotor: prof. UW dr hab. Anna Cetera)

Instytut Anglistyki Uniwersytet Warszawski – mgr Paulina Kupisz The Art of Re-creation: Postmodern Parodic Modes in A. S. Byatt’s Fiction (promotor prof dr hab Andrzej Weseliński)

Instytut Anglistyki Uniwersytet Warszawski – mgr Magdalena Popiel Presentation of art and Artists in Ian McEwan’s Fiction (promotor prof dr hab Andrzej Weseliński)

Instytut Anglistyki Uniwersytet Warszawski – mgr Tobiasz Cwynar Literature as a Drama of Deliverance. A Study of David Gascoyne Writings 1936-1943 (promotor prof UW dr hab Jerzy Jarniewicz)

Instytut Anglistyki Uniwersytet Warszawski – mgr Patrycja Austin ‘In Words and Music: Glocal Imaginaries in Salman Rushdie’s The Ground beneath her Feet, Vikram Seth’s A Suitable Boy and An Equal Music, and Amit Chaudhuri’s a Strange and Sublime Address, Afternoon Raag and The Immortals (promotor: prof dr hab. Jacek Wiśniewski)

Instytut Anglistyki Uniwersytet Warszawski – mgr Agnieszka Ceren The Hybridity and Monstrosity of the Siren Figure in Literature and Culture (promotor: prof dr hab. Jacek Wiśniewski)

Instytut Anglistyki Uniwersytet Warszawski – mgr Anna Grabalska An Analysis of Platonic Ideas and Motifs In the Novels of Iris Murdoch (promotor: prof. dr hab. Barbara Kowalik)

Uniwersytet Gdański - mgr Karol Jaroszewski "World of Hateful Wonder" - Psychology, Social Sciences, Politics and History in the fiction of Michael Moorcock - A Study by Genre (promotor: prof. dr hab. David Malcolm)

Uniwersytet Gdański - mgr Karol Chojnowski przestrzeń i epistemologia w twórczości Marka S. Huberatha (promotor: prof. UG dr hab. Jadwiga Węgrodzka)

Katarzyna Sokołowska Metafizyka i sztuka w twórczości Virginii Woolf, Uniwersytet Marii Curie-Skłodowskiej; Wydział Humanistyczny,

Sonia Front, cykl publikacji powiązanych tematycznie zatytułowany "Czas i temporalność w literaturach anglojęzycznych"; Uniwersytet Śląski; Instytut Kultur i Literatur Anglojęzycznych

Joanna Klara Teske Contradictions in Art: The Case of Postmodern Fiction KUL Wydział Humanistyczny